Is Imagination Fundamental? on the Issue of the Genesis of Subjectivity
Boris Sergeevich Solozhenkin1, Dmitry Vladimirovich Smirnov2

1Boris Sergeevich Solozhenkin*, I.M. Sechenov First Moscow State Medical University (Sechenov University), Moscow, Russia.
2Dmitry Vladimirovich Smirnov, I.M. Sechenov First Moscow State Medical University (Sechenov University), Moscow, Russia.
Manuscript received on September 23, 2019. | Revised Manuscript received on October 15, 2019. | Manuscript published on October 30, 2019. | PP: 5081-5085 | Volume-9 Issue-1, October 2019 | Retrieval Number: A2145109119/2019©BEIESP | DOI: 10.35940/ijeat.A2145.109119
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Abstract: Based on the issue of the genesis of subjectivity, the authors of the article turn to the Hegelian model, which captures the two-sided and fundamentally changeable nature of the relationship between subject and object. The article substantiates the idea that imagination, being considered outside of the context of psychologization or reduction of it only to the reproductive aspect, is a source of binary differences fundamental to philosophical thought. Following Hegel’s dialectical method, the authors note that the presence of the image already indicates the difference between the two dimensions of consciousness and knowledge. The image expresses the primary truth of substance and, at the same time, the way it is subjectively given. There is a differentiation of the subjective moment of Being with the realization of fantasy. All formations of Spirit are interpretations of the figurative series, primal scenes, the analog of which was studied by classical psychoanalysis. From this perspective, the genesis of such subjective modes as consciousness, self-consciousness and mind inevitably includes symbolization, interpretation of the “Self” images, cognizing, willing and acting in various situations and contexts. The study of the concepts developed by Hegel, Kennouche, Verene and Merleau-Ponty allows concluding about two arguments in favor of the fundamentality of imagination. This refers, on the one hand, to subjective imagination that generates meanings and the need for their interpretation and, on the other hand, to the initial form of synthesis, on the basis of which, the subject and object of cognition, formations of consciousness and types of knowledge characteristic of them are further distinguished. The image, being the first meeting of the concrete and universal, is capable of setting the plot of one or another form of subjectivity
Keywords: Subject, Subjectivity, Imagination, Spirit, Object, Phenomenology.