“New Wave” In Uzbek Cinema Art: Expressiveness in Social Realisms
Khusanov Sherzod1, Tursunmetova Robiya2

1Khusanov Sherzod, Senior teacher of department ―Systems and applications of TV studios‖ of Tashkent University of Information Technologies named Muhammad Al-Khwarizmi, Tashkent, Uzbekistan.
2Tursunmetova Robiya, PhD doctorant of Uzbekistan State Institute of Arts and Culture, Tashkent, Uzbekistan.
Manuscript received on September 23, 2019. | Revised Manuscript received on October 15, 2019. | Manuscript published on October 30, 2019. | PP: 5237-5246 | Volume-9 Issue-1, October 2019 | Retrieval Number: A2949109119/2019©BEIESP | DOI: 10.35940/ijeat.A2949.109119
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© The Authors. Blue Eyes Intelligence Engineering and Sciences Publication (BEIESP). This is an open access article under the CC BY-NC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/)

Abstract: The article “Poetical style in Uzbek cinema of 60-70th”, is dedicated to a period when Uzbek poetical cinema has occurred, as well as creative activities of great director of that time like A. Khamrayev, cameramen D. Fatkhullin, Y. Klimenko and others. Such films like “White, white storks”, “Man follow birds” were analyzed in the article. And is made attempt to define peak of skill of camera art of protruding cameramen of Uzbek’s cinema.
Keywords: Art, cinema, cinematographer, film, genre, poetic, figurative